FEBRUARY NEWSLETTER
We did not distribute a FEBRUARY 2011 Monthly Newsletter
We did not distribute a FEBRUARY 2010 Monthly Newsletter
FEBRUARY 2009 Monthly Newsletter
FEDERATION OF CANADIAN ARTISTS
South Okanagan-Similkameen Chapter
113
- 437 Martin Street, Box 154
Penticton, BC V2A 5L1
http://www.fca-sos.ca
IMPORTANT
DATES TO REMEMBER
Mark your calendars!
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MARCH 7th 2009 - GENERAL MEETING @10AM, LEIR HOUSE - The March program will be an art swap that will be held after the AGM elections.
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We have volunteers for the following positions, but please consider any of the remaining:
CHAIRPERSON - Kate Kimberley
1st VICE-CHAIR - Dale Matthews
SECRETARY - Brad Hillis
TREASURER - Thea Haubrich
MEMBERSHIP - Elaine Clarke
PROGRAMS - Barb Hofer
PUBLICITY - Carol Munro (CBC), Dona Smithson (Posters), and Shannon Ford (Media/Communication)
HANGING COMMITTEE - Art Moore, Jack Deppisch, David deGruchy
HISTORIAN - Barb Hofer
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April
4th - General Meeting at 10 am
May
2nd - General Meeting at 10 am
June 6th - General Meeting at 10 am
July 11th - General Meeting at 10 am
September 12th - General Meeting at 10 am
October 3rd - General Meeting at 10 am
November 7th -
General Meeting at 10 am
A WARM WELCOME TO OUR NEW MEMBERS :
*Please pick up a New members information booklet at the next meeting*
The following people have volunteered to be Mentors and will help new members navigate the world of the Federation of Canadian Artists
If you think you might like to have a mentor, please contact one of the following volunteers. They look forward to hearing from you.
George Traicheff ~ Dona Smithson
Upcoming shows in Vancouver FCA gallery
Federation
of Canadian Artists - 2008
A REMINDER TO ALL MEMBERS OF UPCOMING EVENTS.
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Still
Life
April 21 - May 3, 2009
* Entry deadline: February 26, 2009
* Paintings due: April 16, 2009
· Purposeful Compositions of any inanimate objects, any medium. Open to Active & Signature members.
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Abstract
Show
May 5 - 17, 2009
* Entry deadline: March 12, 2009
* Paintings due: May 1, 2009
· Any subject, any medium, image executed in an abstract style. Open to Active & Signature members.
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Open
Print Show
May 19 - June 7, 2009
* Entry deadline: April 9, 2009
* Paintings due: May 14, 2009
· Original prints of all kinds: intaglio, relief, serigraphs, or hand-pulled lithographs. No giclees or other mass-produced reproductions.
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Canvas
Unbound
June 9 - 21, 2009
* Entry deadline: April 14, 2009
* Paintings due: May 28, 2009
· Paintings on stretched canvas or linen (no frames) any subject, any medium. Open to Active & Signature members.
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Summer
Gallery
June 23 - August 16, 2009
* Application package due: April 2, 2009
* Paintings due: June 18, 2009
· 10 to 20 members will be selected by the Standards Committee to participate for the summer season. Application forms are available on-line or at the Federation Gallery. Open to Active & Signature members.
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Register online at www.artists.ca, by phone at 604-681-8534 or in person at Federation Gallery (Tuesday to Sunday between lOam - 4pm)
Workshop Committee
Kiff Holland's Course spaces available
There are spaces available in both the Oil and Water colour sections for Kiff's Course. Please let Sharon Leonard know as soon as possible if you are interested. A 50.00 deposit is due now, a cheque should be made out to FCA and mailed to treasurer Thea Haubrich.
Oil section is May 14 & 15/09 and Water Colour May 16 & 17/09 total cost of course is 250.00. Balance of 200.00 is due March 1st/09 no refund will be issued after this date, unless a replacement can be found. The course will be held in Oliver at the Community Centre.
Phone
250-495-2019 or e mail
saleonard@persona.ca
Supply list will be send in March.
2009 - Exhibitions in the valley. - EXHIBITION COMMITTEE
"Non-Juried Show, March Madness" takes place March 1-31//09. The opening reception will be 1-4pm, Sun., March 8th. Twenty-one members will be exhibiting 55 pieces of original art.
Non-Juried Show, "Pre-Summer Amble" will take place at Handworks Gallery in Oliver during the month of June 2009.
Juried Show, "Summer Sensations" takes place at Leir House in Penticton, July 2/09 through to August 6/09. Deadline dates to follow.
Non-Juried
Show, "De-Vine Creations" at Lang Vineyards (vineyard theme),
from Aug. 6-Nov. 3/09.
Non-Juried Show, "Artists' Perceptions" takes place at Tinhorn
Creek Vineyards, just south of Oliver from August 24/09 through to Sept.
6/09.
Juried Show, "Serendipity" takes place at the Osoyoos Art Gallery in Osoyoos starting Oct. 10/09 through to Oc t. 31/09.
There
will also be a show at Langs Winery but we do not have the dates yet.
BITS & PIECES
Sandra Albo doing a critique on our paintings after the January 10th 2009 General Meeting
Ramona Swift giving a presentation on, "How To Sell Your Art", at the February 7th 2009 Chapter meeting.
~
~ George Traicheff, and his daughter Megan, have work in a show called "Footprints on the Trail" that is being held from March 18th to 22nd 2009 at the Holiday Inn, Great Falls Montana. For more info visit www.westernheritageartshow.com/
~ Carol Munro and Thea Haubrich both have paintings in the 'Mixed Media Show' at the FCA Gallery. To view their entries go to the FCA Gallery website at www.artists.ca
~ Judith Rackham has a piece in the "Human Figure Show" at the FCA Gallery.
~ Angie McIntosh & Judith Rackham will be some of the artists instructing at the Okanagan School of Arts Renassance Studio in Penticton. For more information visit the "Workshops" page on our website at www.fca-sos.ca/Workshops
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ARTS COUNCIL NEWS
~ Osoyoos:
*
February 7th to 21st 2009 is the Osoyoos Young Artists Show.
* Feb 28th to March 21st 2009 is the Osoyoos Painters and Potters Show.
~ Penticton:
*
Penticton - "A Little Bit Of Everything Show" will be held at
Leir House February 19th to April 1st 2009.
* The PDCAC has various workshops available, see our website at www.fca-sos.ca/Workshops
for more information.
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~ There is a place to buy plastic sleeves for prints that is in Victoria and is very reasonable. The company is online and is called Card Blanks. You can visit their website at www.cardblanks.com/
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~ There is a juried show called "Arts Without Borders" that will be held in Lloydminster, Alberta June 11th to 14th 2009. There is a 'Best of Show' award of $1,000.00 and a 'Peoples Choice' award of $500.00. For more information visit our website at www.fca-sos.ca/Exhibitions
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~
Thea Haubrich will be teaching in Naramada and Prince George this year.
She also wrote - I'm very excited that I sold my painting Companions which
was in the Mixed Media Show in Vancouver! It was my first painting ever
accepted in a juried show (this was the third time I entered something,
the other shows were here down in the Okanagan) and I had never expected
that it would sell...
In fact, I was so excited that I emailed all my former students and customers
about the fact that I was in the show....;-))
The only thing is that it sold about halfway through the exhibition and the Gallery allowed the painting to be taken right away, so as my son came about an hour later, he could not find my painting! Same with a lady who came all the way from Gambie Island to see it in real life. She was upset because of the effort she had made to get to Vancouver. There were I think two more people who went especially to the Gallery and missed the painting.
Choose
Your Style
(An informal look at art movements),
This month we'll start in the C's:
Classicism: (1600 - 1800)
Classicism refers to the appreciation and imitation of Greek and Roman literature, art, and architecture. Although the term is normally used to describe art derived from ancient influences, it can also mean excellence, high artistic quality, and conservatism.
Classical art encompasses antiquity and later works inspired by it, the latter normally referred to as Neoclassical. Adherence to traditional aesthetic formalities was favored over expressionism and individuality. Classic art is distinguished by clarity, order, balance, unity, symmetry and dignity.
The first major classic revival occurred during the Renaissance period in Italy. In the 18th century, the Neoclassical movement was established following the archaeological discovery of ancient ruins at Herculaneum and Pompeii. The style's leading artists included Michelangelo, Raphael, Correggio, and Mantegna during the Renaissance and Mengs and Winckelman during the Neoclassical period.
Conceptualism: (1960 - 1975)
Conceptual art is based on the concept that art may exist solely as an idea and not in the physical realm. For advocates of this movement, the idea of a work matters more than its physical identity. The movement began in the early 20th century, but was based on the European Dada movement and the writings of philosopher Ludwig Wittgenstein. Conceptual art also had roots in the work of the father of Dadaism, Marcel Duchamp, who was also the creator of the "ready-made." Conceptual art became an international movement, beginning in North America and Western Europe and spreading to South America, Eastern Europe, Russia, China, and Japan. It was a major turning point in 20th century art, challenging notions about art, society, politics, and the media with its theory that art is ideas. Specifically, that art can be written, published, performed, fabricated, or simply thought.
Conceptual art emerged in the 1960's, the term first used in 1961 by Henry Flynt in a Fluxus publication. It later evolved into a different meaning when the Art and Language group, headed by Joseph Kossuth, adopted it. This group believed that Conceptual art was created when the analysis of an art object succeeded the object itself. The term gained public recognition in 1967, after journalist Sol LeWitt used it to define their specific art movement. Conceptual artists began forming around the theory that the knowledge and thought gained in artistic production was more important than the finished product. The first Conceptual art exhibit, titled "Conceptual Art and Conceptual Aspects" took place in 1970 at the New York Cultural Center.
Conceptual art was intended to convey a concept to the viewer, rejecting the importance of the creator or a talent in the traditional art forms such as painting and sculpture. Works were strongly based on text, which was used as much as if not more often than imagery. Conceptual art also typically incorporates photographs, instructions, maps, and videos. The movement challenged the importance of art traditions and discredited the significance of the materials and finished product. Rather, Conceptual works were meant to be proactive and questioning to the nature of art.
A controversial movement, supporters believe that Conceptual art expanded the boundaries of art and stopped the influence of commercialism. Critics see the movement as dull and pretentious. Although some Conceptual artists attempted to make serious political and social statements, more often than not they were preoccupied with analyzing the nature of art. Conceptual art was the forerunner for installation, digital, and performance art, more generally art that can be experienced.
Constructivism: (1913 - 1930)
Founded in 1913 by Vladimir Tatlin, the Russian Constructivist movement developed from Cubism, Italian Futurism, and Suprematism in Russia, Neo Plasticism in Holland, and the Bauhaus School in Germany. The term Constructivism is used to define non-representational relief construction, sculpture, kinetics, and painting. As a response to changes in technology and contemporary life, it advocated a change in the art scene, aiming to create a new order in art and architecture that referenced social and economic problems. Brothers Naum Gabo and Antoine Pevsner also supported the movement, infusing sculptural elements from cubism and futurism with an allusion to architecture, machinery, and technology. The movement's first Constructivist manifesto was written in 1921 when the First Working Group of Constructivists was formed in Moscow. The movement later spread to Holland and Germany before gaining international popularity. The style was initially supported by the Soviet Regime, but later was deemed unsuitable for mass propaganda reasons. Following this decree, Gabo and Pevsner went into exile while Tatlin stayed in Russia. The Constructivist movement was also prominent in theatrical scene design, mostly spread by the efforts of Vsevolod Meyerhold.
Constructivism was one the first movements to adopt a strictly non-objective subject matter. The movement's work was mainly geometric and precisely composed, sometimes through mathematics and measuring tools. They favored the basic shapes of squares, rectangles, circles and triangles. Constructivists used an array of materials including wood, celluloid, nylon, plexi-glass, tin, cardboard, and wire welded or glued together. Later in the development, Constructivists incorporated aluminum, electronics, and chrome. In using these forms and materials, their aim was to depict the dominance of the machine in the modern world and its triumph over nature.
Cubism: (1908 - 1920)
The Cubist emphasized a flat, two-dimensional surface and rejected the idea that art should imitate nature, refusing traditional techniques such as perspective, foreshortening, modeling, and chiaroscuro. Spanish painter, Pablo Picasso and French artist Georges Braque in Paris founded the movement before World War I. The movement is considered to have its roots in the work of Post-Impressionist, Paul Cezanne. It also took from African tribal art, reducing everything to cubes and other geometrical forms. Cubist artists depicted drastically fragmented objects, sometimes showing multiple sides simultaneously. Cubism was the forerunner of abstract art.
Thank you to our Sponsors
`
~
FEBRUARY 2008 Monthly Newsletter
FEDERATION OF CANADIAN ARTISTS
South Okanagan-Similkameen Chapter
113
- 437 Martin Street, Box 154
Penticton, BC V2A 5L1
Important Dates to Remember
MARCH 2nd, GENERAL MEETING, SATURDAY @ 10 AM, LEIR HOUSE
- Art swap after AGM - Election of officers for 2008 -
April
3rd- Pastel demo by Irene Gray
May 5th- Dale Mathews- watercolour/drawing demo
A WARM WELCOME TO OUR NEW MEMBERS :
*Please pick up a New members information booklet at the next meeting*
The following people have volunteered to be Mentors and will help new members navigate the world of the Federation of Canadian Artists
If you think you might like to have a mentor, please contact one of the following volunteers. They look forward to hearing from you.
Marlene Aikins ~ Laila Campbell ~ George Traicheff
Our
Library news:
We received a new book, "My Painting Is Done
- Now What Do I Do?" by Suzie Seerey-Lester.
Send your reviews to dianeestabrook@shaw.ca and we'll publish it here, this gives us an opportunity to decide if it has sparked an interest to borrow it. We have a wealth of information available to us, just give Kate a call.
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Our first book review:
MY PAINTING IS DONE by Suzie Seerey-Lester
This
book is a compilation of all the things we know we should do to be more
organized in our life as an artist, but somehow we just don't get around
to completing.
"The first step is to produce fine art work, the second, and vital
step is to become organized and understand the components of the various
aspects of the art business."
Keeping track of paintings:
a) Original Information Sheet - this will help you keep track of the painting
during several stages until you are ready to ship it out. Take a photograph
of the painting and attach it to the sheet. After it has sold, update the
sheet with the purchaser's name and price. Keep in a 3 ring binder.
b) Work completed Book. You should keep a record of the first painting you
painted to the one you just finished, numbering them if possible. Using
Excel is a good way to enter the data, or if you prefer a written journal.
c) Inventory of Original Paintings- yes, another three ring binder! Let
the computer do all the work for you. Detailed instructions are listed in
the book.
d) Sold Inventory Sheet.
e) "Where have they been" list, (various galleries and dates).
f) Send a thank you note for each sale after the show has closed.
There
is an informative chapter about photographing your work as well as a chapter
on Framing your work. One interesting sales tool I thought quite unique
was to create a "painting paragraph" for each painting. A short
paragraph or story about the painting, pointing out unique things about
it that may not be easily seen. Ask the gallery to put this next to the
painting. This paragraph might just be the connection with the buyer that
makes the sale.
This book is a valuable resource for artists who are submitting art to various
galleries.
Book review by Kate Kimberley, book was donated by Sharon Newton.
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LIST OF BOOKS IN THE FCA resource Library is available just email dianeestabrook@shaw.ca
Upcoming shows in Vancouver FCA gallery
Federation of Canadian Artists - 2008 Exhibition Program
March 8-10, 2008: Federation Gallery will be closed in order to facilitate the annual Board of Governors meeting.
Sunday
March 16, 2008: Gallery will be closed for our annual general meeting at
1 pm (all members are welcome)
Works
on Paper
April 22 - May 4, 2008
* Entry deadline: March 14, 2008
* Paintings due: April 17, 2008
· Any subject, any medium appropriate to a paper support. Open to Active & Signature members.
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Semi-Abstract
May 6 - 18, 2008
* Entry deadline: March 28, 2008
* Paintings due: May 1, 2008
·
Any subject, any medium, image executed in a semi-abstract style. Open to
Active & Signature members.
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Canvas
Unbound III
May 20 - June 3, 2008
* Entry deadline: April 10, 2008
* Paintings due: May 15, 2008
· Paintings on stretched canvas or linen (no frames) any subject, any medium. Open to Active & Signature members.
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Biennial
International Miniature Paint Exhibition (BIMPE)
June 3 - 22, 2008
* Entry deadline: April 17, 2008
* Paintings due: May 29, 2008
· Open International BIMPE prize exhibition for original prints of all kinds: intaglio, relief, serigraphs, or hand-pulled lithographs (no giclees or mass-produced reproductions); prospectus available online at Federation Gallery or New Leaf Editions.
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Register online at www.artists.ca, by phone at 604-681-8534 or in person at Federation Gallery (Tuesday to Sunday between lOam - 4pm)
2008 - Exhibitions in the valley. - EXHIBITION COMMITTEE
Get your Bio's ready for any show you enter please, SEND THEM TO Sharon Snow! Also, we changed the entry fees for juried shows to $11.00, ($6.00 for the FCA and $5.00 for SOS). Non-juried shows will remain at $5.00
- Exhibition -
o For the show "Art Unlimited" at Leir House we had 36 entries with 23 excepted juried into the show. There were five artists that received seven 'Jurors Choice Awards': Dona Smithson (2), Kate Kimberley (2), Grace Shaw, Marlene Aikins and Dianne Korsch.
o Handworks Gallery wants to hold a juried show from July 1st to 31st 2008. We need a name for this show. Some suggestions were: 'Unchained', 'Red & Gold' and 'Just Imagine'.
Four
short words sum up what has lifted most successful individuals above the
crowd: a little bit more. They did all that was expected of them and a little
bit more."
A. Lou Vickery, contemporary American writer.]
ACRYLIC
WORKSHOP - KEEPING IT SIMPLE
Instructor - Marlene Aikins
Saturdays, April 26 - May 3rd and 10th.........1 - 5 p.m
.
AGSO members $100..........non-members $120............maximum of 8
Beginners to Intermediate - should have some experience with acrylics.
-tackling the complex subject of acrylics from photographs.
- the pros and cons of photographs, how NOT to copy by being creative.
- use a limited palette and learn to design a composition, using colours
that compliment each other and how to find a centre of interest.
- discover the usefulness of transparents and how to prevent your colours
from looking dull.
- the value of soft and hard edges and when to say "stop".
For more information, contact Marlene at 770-8772 or
email
fmaikins@shaw.ca
Sign-up, material list and course date will be at
the Penticton Art Gallery by the end of Feb/08.
An Invitation for Members of the Federation of Canadian Artists:
The West End Community Centre (Vancouver, BC) will
be hosting the 3rd Annual "Art in the City" Visual Art Show and
Sale from May 9-11, 2008. If you are looking for a venue to showcase and
sell your art, this event may be for
you. Last year, over 2500 people attended to view and purchase pieces
from a variety of different artists. The cost to reserve a space (10'x10')
is $60 for an individual artist and $80 for groups and organizations sharing
a space.
As an FCA artist, we invite you to take part in this event and welcome you take advantage of our advanced VIP registration. Limited spaces for VIP registration remain, so if you are interested please contact me as soon as possible and I can give you further details and information. Deadline for VIP registration is March 14 (or once all the reserved VIP spots are filled). Public registration starts in person at the West End Community Centre on Saturday, March 29 at 10am. Phone in registration will start the following day.
If you have any questions, please feel free to contact me in the meantime. I look forward to hearing from you and hope that you can be a part of Art in the City 2008!
Cheers,
Brenda Tang
Recreation Programmer
West End Community Centre
870 Denman Street
Vancouver, BC V6G 2L8
604-257-8336
brenda.tang@vancouver.ca
We are pleased to advise you that the Gibsons School of the Arts is again sponsoring six 5-day summer painting workshops.
Should any of your members be interested in participating in these workshops, they can now view the current line-up of instructors and contact information at our website www.gibsonartschool.net
If
you would like to receive brochures or posters please email us at
info@gibsonsartschool.net
or phone Donnie McAra at 604-886-9349.
BITS & PIECES - member news
Is there any artists that would be interested in working with people who are incapacitated due to health or age issues? Art relaxation sessions have been proven to be of great benefit not only to the participants but the leaders of such groups. I am looking into getting art relaxation sessions available for this group of people and would encourage others to join in. If anyone is interested please call Lynne Marand at 492-2209 or 487-9113.
· Jill Leir Salter will be having a special show, at the Art Gallery of the South Okanagan, tilted, "For The Love Of Searching - A Retrospective" opening on March 14th 2008.
· The book, "My Painting Is Done - Now What Do I Do?", was donated to our library by Sharon Newton.
· Grace Shaw received a 'Jurors Choice Award' at the opening reception, Feb. 1st, of the "Art Unlimited Show" at Leir House.
· At the Art Gallery of the South Okanagan 'Christmas Show': Dianne Korsch sold 5 paintings, Carol Munro sold 3 paintings, and Sharon Snow sold 2 paintings.
· Carol Munro has a show at the Summerland Art Gallery from March 6th to April 5th 2008. Opening reception will be on March 6th 2008.
· Thea Haubrich has been invited to attend the 'International Arts, Craft and Toy Fair' in New York City, where she will do an Encaustic Demo.
· The Penticton Arts Council paid for the opening reception of the "Art Unlimited Show" on Feb 1st at Leir House where there were about 60 people in attendance. There was also a new band that played Celtic music at the reception. Thea Haubrich and Carol Wellington organized the opening reception. The Arts Council will try to have an art show at Leir House every month.
· We received a request from Laurel Burnham, Co-organizer for the "Women In Agriculture Conference" that will be held March 14th & 15th 2008 at the Penticton Trade & Convention Centre, asking for women's art work for display purposes. All artwork must come with a stand or easel. Marlene will check with Laurel and get more information. (Fan-out)
·
For the Art Show at the Penticton Museum: If you want to paint from old
photos and would like a copy of one from the Museum please phone ahead of
going there and let them know what you would like to paint. Copies of the
2008 Centennial Calendar, that has old photos of Penticton, are available
upstairs at Leir House.
· "Heritage Days" presented by the Penticton Arts Council will be held June 14th, 15th & 16th 2008 in Gyro Park. They require artist to paint in the park and will supply a tent. Paintings can also be sold there. A roster will be established for those who want to participate. More info to follow.
· Diane Estabrook had a painting chosen for the cover of a booklet issued by the MS Society of Canada.
'Art Unlimited' opening reception on Feb 1 2008 at Leir House
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The Creative Mind
Even at fifty-eight, there are things to learn about being visually literate. That is what I have always called myself: visually literate. I devised this label to describe a significant aspect of my life: I notice things and I have a strong visual memory. My women friends have often told me that they appreciate that I notice whenever they make visual changes to themselves such as change their hairstyle or colour, get new clothes or accessories, or making changes around their home.
I think I am good at spatial design, and I can choose colours for my home in seconds. I can say why I like a painting and why I don't easily, and I love doing it. My favourite "test" when I was dating and meeting someone new, was to propose a walk through an art gallery because I find art provokes such interesting and meaningful conversations. I love the sensate life. I love food, colour, incense, the smell of flowers, trees and the sea; I love the gentle touch of friends with whom I am close. All these things I have known for a long time.
And I have known in a certain way, that I am creative, but I have never labeled myself that way or really even thought of myself that way. Recently, however, I learned something about creativity. I have developed rapid-onset arthritis in my hands that has forced me to change the taps on all my sinks. That led me to do something about my lighting because my failing eyesight requires more light in more areas. And then, well, why not paint everything as well? Suddenly I was renovating my whole place and despite having never done this kind of work before, I still wanted to do as much of the work on my own to save money.
One of the problems that I wanted to address most was the issue of visible "BX wire" all over my walls. It is coiled cable that electrician's use when electrical cable has to go on the surface the walls. It is seriously ugly. I decided that there must be a product that would cover it in some attractive way and I headed off to the nearby big-box hardware store to find some. The very helpful man who served me spent a lot of time calling round to his suppliers to see if they had such a product, but they didn't.
In a section of the store that had stuff for aluminum doors and windows, I found long lengths of extruded metal tubing, including some that was U-shaped and open at the top, looked to me like something that might nicely cover the BX wire, so I took a length of it and went back to where they sold the BX wire to see if it would fit. It did as though it was made for the purpose; it almost clung to the wire. And the man who had served me earlier, saw me and what I was doing. Like me, he found the brass tubing to be ideal for the job.
Two weeks later, I was having glass installed in my bathroom to enclose my shower and show off the brick. In one location, glass met glass for about eight feet close to the shower itself. The man providing the glass had no idea of how to ensure that the seam between the two pieces of glass was watertight. While he worked on installing other pieces, I took some "teflon tape" - ultra, ultra thin tape that you wrap around a pipe fitting to ensure it doesn't leak and I was twirling it into a long twisted thread and stuffing it into the crack between the glass pieces with the blunt end of a needle. The glass man thought I had invented a pretty cool solution and he said so as he left.
But I was not confident in the solution, so I went back to the hardware store, this time to get a long length of half-inch L-shaped, brushed aluminum where I had found the U-shaped brass tube. The L-shaped piece would, I knew, fit perfectly over the glass-to-glass edging and provide an excellent seal if I loaded the inside with silicone. At the check-out, the man who had helped me try to find the BX wire saw me and said, "What problem are you solving this time?" So I told him about the glass-to-glass problem and my solution, and this is what he said: "You know, I have twenty years experience as a tradesman and I have worked here for many years, but I would never have thought of the solutions you have found." He told me that he and I would make a perfect home renovation team. "Experience is a great teacher," he said, "I have that in spades, but you have a creative mind and that is just as valuable as all my experience."
Again, a few weeks went by, and more glass was coming in-this time tabletops. When the tradesman arrived, he checked out what I had done in the bathroom since he had installed the glass. He noticed my metal corner piece and he complimented me on my work and he asked me where I got the L-shaped metal. "Honestly," he said to me when I told him, "I would never have thought of that. You're a really creative guy."
I never before realized how "creative" I was and how practical creative thinking could be. I have "known" it in that way we can know things intellectually but in a way that is shallow compared to experiential understanding. But now I know. It is a valuable and practical asset that we creative people share. I found these very recent experiences to be enlightening and rewarding. I was moved by the generosity of spirit in both men and by the respect they had for creative thinking.
Chris
Tyrell
ctyrell@shaw.ca
Thank you to our Sponsors
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February 2007 Monthly Newsletter
FEDERATION
OF CANADIAN ARTISTS
South Okanagan-Similkameen Chapter
Box 1704 Oliver, B.C. V0H 1T0
REMINDER
- MARCH 3RD MEETING, SATURDAY
@ 10 AM, LEIR HOUSE
AGM ELECTIONS
The March 3rd meeting is our AGM and we will be holding
elections. If you have not received a phone call and would be willing to
help out on a committee, or be a "helper" on a committee for the
2007 year please call Sharon Newton at 492 3459 as soon as possible.
The
nominating committee has tried to contact all members for volunteers for
various positions on the different committees. We still need more names
to stand:
the executive (First Vice President), for several committees (membership,
Programs and Bio Book), and helpers for several other committees.
Here are the COMMITTEES:
Publicity, exhibition, publicity, membership & exhibition, newsletter & e-mail out publicity, workshop (2), secretary, fan out, co-president (2), vice president, publicity, secretary, programs after meeting, exhibition, refreshments (at meeting)
A thousand thank you's to our 2006 Committee members:
Marlene Aikins, , Enid Baker, Laila Campbell, Jeannie Duncan, Diane Estabrook, Barb Hofer, Kate Kimberley, Dianne Korsch, Sharon Leonard, Art Moore, Robert Neal, Sharon Newton, Eunice Purdy, Dona Smithson, Sharon Snow, Edna Woods,
*After the A.G.M. there will be a "Swap & Shop" of artists materials. Please bring any supplies that you would like to swap*.
Throughout the year, think about chatting with committee members and see if there isn't an area that you could help out and share the work. You might just love it, and we can always use the help! It's our group, let's keep it strong! If you've got an interest, speak up!
MENTORING OPPORTUNITY
At our last F.C.A meeting we introduced the idea of a "Mentoring Program" within our Chapter. When new members join the Federation of Canadian Artists it seems a very confusing organization - Juried and non-juried shows, Supportive, Active and Associate members, our chapter and its connections with the National office on Granville Island. All these questions need answers when a new artist joins our organization.
The following people have volunteered to be "Mentors" and will help new members navigate the world of the Federation of Canadian Artists.
Marlene
Aikins 770 8772 Laila Campbell 493 8468
Kate Kimberley 492 4481 George Traicheff 497 5667
If you think you might like to have a mentor, please contact one of the volunteers. They look forward to hearing from you.
Important Dates to Remember
þ your calendar today.
Mar
3 General - 10:00 executive meets @ 9am
Apr 14 General - 10:00 executive meets @ 9am
May 5 General - 10:00 executive meets @ 9am
June 2 General - 10:00 executive meets @ 9am
July
Aug 1 General - 10:00 executive meets @ 9am
Sept 1 General - 10:00 executive meets @ 9am
Oct 6 General - 10:00 executive meets @ 9am
Nov 3 General - 10:00 executive meets @ 9am
Dec
A WARM WELCOME TO OUR NEW MEMBERS
*Please pick up a "New members information booklet" at the March 3rd, meeting*
S0S FCA Programmes for 2007
Dona Smithson 493-5737, Eunice Purdy 492-4098
March - AGM - Elections - We will hold a Swap & Shop of artists materials after the elections.
April - Laila Campbell - demo mixed media
May - Jill Leir Salter - personal tour of Leir House
June - Eunice Purdy - watercolour techniques to frame without glass
EXHIBITION COMMITTEE
2007/08 - Exhibitions in the valley.
Qualifying shows - open to Signature & Active members-
1.
Handworks Gallery in Oliver - July 1 - 31st. Title - "Backyard
Surprises".
2. Osoyoos Art Gallery - Oct. 6 - 27. Title "Latitude". open to
Active and
Signature members.
.
*George Traicheff has agreed to take digital images of our entries for these
Artists of the South Okanagan shows - open to all members - Supporting,
Active, and Signature -
·
Lang's Vineyard - May 1 - Oct. 31. Title "Vineyards
& Valley Views".
Amy, the Manager of the Wine Tasting Room, wants to choose which of our
paintings will be hung. Bring photographs of your entries to the April
meeting. Make sure all the info - eg. Artist, medium, size, etc. is
attached to the photo.
·
Mat & Mitre Gallery in Penticton - Aug. 24 - Sept. 30 then the
paintings will move over to the Can Coffee Co. in the Cannery - Sept. 30
-
Oct. 28. Space may be limited. Title "A Collective".
·
Tinhorn Creek Vineyard - Sept. 1 - 15.
For further information on any of the above shows contact Sharon Snow.
PUBLICITY - Laila Campbell would appreciate receiving jpeg images for use in the upcoming show invitations. Please email to lailacampbell@shaw.ca
Upcoming shows in Vancouver FCA gallery.
FCA JURIED SHOW:
Human
Figure
March 27 - April 8, 2007
· Entry deadline: Feb 22, 2007 Past due - but
wait for next months newsletter to see who's in!!
· Paintings due: March 23, 2007
· Images of the human body in whole or in part, Active & Signature
members, any medium.
Still
Life
April 10 - 22, 2007
· Entry deadline: March 1, 2007
· Paintings due: April 5, 2007
· Purposeful compositions of inanimate objects, Active & Signature
members, any medium.
Works on Paper
April 24 - May 13, 2007
· Entry deadline: March 22, 2007
Paintings due: April 20, 2007
· Any subject, any medium appropriate to a paper support, Active
& Signature members.
Joan Miro quotes
I
try to apply colors like words that shape poems, like notes that shape music.
I feel the need of attaining the maximum of intensity with the minimum of
means. It is this which has led me to give my painting a character of even
greater bareness.
WORKSHOP COMMITTEE first of the year -
George Traicheff - MARKETING FOR THE VISUAL ARTIST
When:
Sunday, March 20th, from 9:30 - 4:30 P.M. (lunch break at 12:30)
Price: $10. Leir House, downstairs room, 220 Manor Park Dr.
Designed
to enhance and increase the skill levels of visual artists in their sales
& marketing abilities such as which methods and materials are needed
when soliciting galleries; how to promote a show - pre-during & after;
gifting - pro's & cons; advertising - what is good/bad; buyers - taking
care of your career, and much more!
George has been a practicing professional artist since 1979. Don't miss
this workshop!
Bring examples of current marketing materials, business cards, brochures,
bio sheet, etc,
Dale Mathews - April 21st and 22nd at the Naramata Centre, McLaren Hall on 3rd Street. $100 for this 2 day workshop from 9:30 - 4:30. Lunch can be included for $11 per day. Call Barb Hofer at 497 5936 for more information or to register.
BITS & PIECES
Kate
Kimberley and Marlene Aikins each have a painting in the "Blossoms
& More show" at the Vancouver FCA Gallery.
Grace Shaw had a painting accepted into the Landscapes Show.
Check out these images a www.federationgallery.ca
Online Encyclopedia of Painting says:
The
human body has always been a source of inspiration for artists. The shifting
moods of a person, his or her reaction to the world are manifest in body
language. And the artist attempts to capture this in his work.
All these factors make Figure Painting quite a formidable art form to handle
All these makes Figure painting a Complex Art Form.
· Avoiding Figures that are too upright. To avoid uptight figures
while you're painting, check the pose by holding the brush (or a pencil)
against the figure across the shoulders, then the hips, and then the spine.
· To get realistic skin tones that really glow, instead of flat,
lifeless, and muddy ones, apply the color in thin films and let each dry
completely before applying the next
· To make the eyes of the subject to "follow" you as you
move, make your model or subject sit with their eyes looking directly at
you.
· Make the hair of the subject believably soft, don't paint them
strand by strand, make them a composite whole
· If you want to avoid painting hair and ears cover that section
with a scarf or a hat
· If you are painting yourself do so using a mirror.
Modigliani quotes
What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.
`
~